back in stock and very raw > great detroit tracks with epic synth lines and spheric sirens by kenny larkin aka dark comedy from 1992 !!!

twists, swirls, turns, drops and kicks, all woven into a deep mysterious fabric that speaks of the allure of following in the footsteps of the saints, mystics and faqirs of the orient. the best way to describe this ep is to let this poem that came with the music paint a picture before your minds eye…

re release of some sought after la electro nwa are the most notorious rap crew in history of hip hop their first lp included the last remnants of la electro before things became strictly hip hop panic zone is without a doubt in the top five of coolest electro tracks from the west coast professor x aka arabian prince was still involved in this one must have (sb)

on the a side a dub mix of tren by mexican electro band fase has beaten a path into the playlists of numerous top jocks including nick warren b side epic progressive is the order of the day between is a straight 4/4 track that builds slowly before exploding into life with its incessant chords while return to mars the title track is an atmostpheric progressive breaks workout of the highest quality (sb)

caulfield geht seiner leidenschaft für genreüberschreitung nach. hüpfende sounds & warme flächen treffen auf subtile percussions & treibende bässe. musik, die den grauen alltag erträglich macht im spannungsfeld von house, disko & techno

from the krypt of cult hero alexander robotnick comes the follow up to the rare robotnickscd that was released on his own label a few years back. krypta 1982is an amazing full length album, that contains 18 never before released tracks from 1981-1982. it shows the amazing range of robotnicks skills, from deep disco tracks that sound like they could have been released yesterday, to romantic vocal problemes d amour-like 303 pop songs, strange 808 exotica, minimal analogue dancefloor tracks and haunting experimental soundscapes that would perfectly fit on a bbc radiophonic workshop record

the a side is an epic hard techno journey with its long snarling intro before dropping into a sledgehammer like driving track before breaking again into what can only be described as a riff straight from hell. if you have enough energy left turn to the flip where you have a very clinical deeper, groovier cut with swirling synths and lots of atmosphere. its not that often that a super fresh piece of techno like this comes along so dont miss out. massive support from adam beyer, chris liebing and christian smith

top proficase from italia, so strong you have never see it before, top profi tool

underground darling mathew jonson with another extra-large three track stunner: right from the start swirling synth over a pinching beat suck you into a vortex before a rubbery bassline takes the lead and an electrical storm of dark, haunting sounds wrap you in. well, words dont do this truly symphonic oeuvre no justice - this has to be experienced in the dark and in earsplitting volume. on the flip mj gives free reign to his unlimited creativity with an impressive soundtrack-style tableau of electronic jazz, sounding like late bass-revolutionary jaco pastorius descending form the outerworld to interveave some of his crazy warbled, bend notes into a messianic david axelrod arrangement, mixed at lee scratch perrys echo chamber. miles above your typical pain-by-numbers club fare - simply huge!

first single before the release of the new album called sound mirrors with a cool rock hip hop hybrid track (sb)

first single before the release of the new album called sound mirrors with a cool rock hip hop hybrid track including fat remixes by solid groove and dj kentaro (sb)

berlin minimal house hero dave dk (highgrade, television, mÜller, tresor, raum...musik and many more) delivers 2 tracks of utter funkiness with his trademark digitised yet warm ultra funk sound. 'jus suckas' starts with bouncy bass joining forces with squirts of cut-up style percussion rumbling its way before the chord stylee strings attack with added sample-vox. great groover we say. 'this is not a problem' goes more sinister and dark afterhours with rolling bass and machine style groove and which makes you wanna drop that **** before dominating synth lines hits the g-spot and you are already teleported to another level. hott

mit okie dokie its the orb on kompakt liegt nun das circa 13. album der britischen kultband vor. das ist gut so, denn the orbs musik wirkt eigentlich erst im longplay-format so richtig intensiv

antihistamine riffs on the white lines bassline to great effect adding scowling basslines and heavyweight beats flipside gets deep and moody before going rave

high speed over 160 bpm hardcore ! suffering death & boogoe woogie !

the 22-year old alex ridha alias kid alex released successfully the bomb / boy neu-ep on gigolo records . now he accelerate in his sports car on datapunk. as a consequence, the first track is named jaguarand whoever has thought that italo-house elements, a spinet out of tune and a sturdy saw blade do not go together will be very positively surprised. already now, the track is one of the hottest summer dance floor tips. achtzig(eighty), too, has not incidentally been called like this. melancholic hi-nrg-sequencers compete with powerful hand claps before the title track are you in?completes the trio with a sonic valve rocker around the rave signal. welcome aboard!

dennis ferrer making a welcome return with this new release for the ibadan imprint. 'son of raw' blends a funky bassline groove with some superbly jazzy keys, riffing synths, and shuffling house beats, before a late-arriving 'you dont know' vocal loop comes in to top the whole thing off, as dennis lays down some of fine deep house for the floor crowds to whet their whistles to

the second release is even more trippy than the first maschine.. dark & weired minimal deep tech with an electroacidhouse track completed this stuff you might have heard from oliver lieb before.

the opening series of stars-music hs finally come to an end, even more hi-fidelity and more emotional than before. so far the best release from stars-music. valve is for blue, sleepless nights with the neon lights of the city in the backround, kick and snare unsparingly mashing between the concrete heightsÓ minimal deep deep space disco boogie with techhouse flavours

john tejada rolls out another highly epidemic groover with 'infected' that starts out like a mutilated old school funk break with a guitar-like riff before falling into an unstoppable groove with trademark sharp-cut beats, rumbling bass and mad frizzling sounds. on the flip tejada teams up with justin maxwell for more bouncing electronic goodness with mind-bending sound gimmicks- both sides are simply massive and truly essential

hell leads the race for the prize with his powerful new single. with mixes of follow me (dominik eulberg mix) and let no man jack (mixes by radio slave and abe duque). get this must have record before time runs out

this time a mega-deep, vast kick-drum, crisp crackles and loads of weird samples are causing a 'sunstroke' on the a-side. a deep masculine hum floats over the tune and the skillfully arranged track plays around with reverb rooms so cleverly leading one into a world of acoustic hallucinations. the 'minimal fox' on the b-side carefully stalks from behind before it unfolds into an incredible drive. only a few producers manage to create such a tight buildup of suspense with such a sparse instrumentation like trentemøller and the new ep is definitely another proof of his outstanding production skills.

'my personal jesus' surprises with fresh and new sounds you surely have not heart before. 100% floorfiller attitude! 'stars' and 'golden boy' are rather trippy traxx with an edge of finest electro and techno sounds! fantastic!

next superb release by sandboy aka tobias meggle emotional and soft chillin music from the heart for the heart last release before the release of his echoes album

'the talk' is zoo brazil's first ep for dessous. the title track kicks off with some dry dub influenced beats before some beautiful keys and a warm bass come in. percussive elements and nice strings complete a deep and cosy track. next on is 'rush', a thrilling track with nervous acidic multi-layered synth attacks and punching beats. 'doing it' on the b-side completes the package with a hypnotizing acid influenced house tune. bubbling synth-lines, clapping beats, a full-on bass drum and interesting turns in the structure of the track make this a sure shot for advanced dancefloors

after the huge success of the last exun (dj all*star & l.e.a.) this is the perfect follow up! especially before the summer break! big electronic basslines surrounded by sublime melodies and big breaks! both sides got everything, if you need the crowd to go mad. big with karotte, tobi neumann and pascal feos

its pounding bassline creates the energy for powering the main room of now. one for the heads, it features the uplifting vocals of elzi troy and builds steadily before ripping through the speaker. this is atmospheric tech house at its best. no denying that this belter causes rapturous reaction on every play and is yet another floor inspiring track that bellows the signature sound of revered producer sandy rivera

michael mayer, grungerman, reinhard voigt und jürgen paape bilden den auftakt des bald unter den namen immer an den start gehenden labels. dj michael mayer wird hier seine ganz persönlichen schätze und geheimwaffen der letzten 15 jahre dj-leben wiederveröffentlichen. egal ob es sich um kuriositäten vom deephouse-wegesrand oder um erlesene schätze der geschichte des minimaltechno handelt

this track has everything from a dirty fat electro riff to rollin b-line and even a breacks section before it unleashes into a pumping floor monster

new dancefloor gear from the italian disco piu stable kicks off with a large tom fueled tribal groove implemented by some crisp 909 work before the suza vocals kick in nice stuff which should go down in the ny clubs a storm b side mix throws its hat into the subliminal arena with a bit more of a hard hitting dub that rolls with the punches in a stripped down harder

patrice strike comes back with a killer electro house track love songthat even before its release receives great feedback from djs such as joachim garraud ive just listened to your track, i dig the electro-rock version, bravo. the title is already available on the sound of beachmade in ibiza compilation which will be released at the end of june

completely remastered and reworked by the detroit mastermind, these killers have never been available on vinyl before

part 1: a skanking, minimal tour de dub with a heavy bottom end. part 2 starts out with a nicely floating riddim variation that mutates into a heavy stepper with the towering bass taking the lead. frenetic, sizzling hi-hats and a stronger >oomph< on the bass drum give part 3 a euphoric classic house slant before the script gets flipped again on part 4: sparse deep techno with fine offbeat rhythm

ernsthafter elektro 6-tracker der zwischen modern-komplexen und traditionellen ansätzen rochiert

somedaysblends chunky peaktime beats, great percussion, stellar string arrangements, and a wandering bassline behind another sublime vocal performance from ann saunderson. 3 mixes to choose from here, and every one is a winner, so better stock up on this before it gets as huge as blackwater

all tracks unreleased and recorded exclusively for tresor. mr. atkins was unique in researching and experimenting with future electronics on american shores in detroit long before the term 'techno' had even been use

cool funky & filtered electro house anthem.... 'point blank' is now being hammered by axwell, tony senghore, steve angello, stonebridge, roger sanchez and eric prydz…..heard the name before?

strictly limited to 300 copies pirate edition from the duriez vault. never to be released david duriez old school tracks made during the last century and never pressed on vinyl before. a must have for the hardcore duriez collectors & fans

sweden´s house music rocks as never before!! another stunning funky french filtered disco tune

get up is an electro-rave-anthem with a good dose of acid, but still a typical rennefeld. 'my beat' combines funky garage-house-beats with modern electro-sounds in a way you've never heard before. get on this!

joakim delivers here a very energetic remix, not unlike the dancefloor killer, come into my kitchen. an electro beat, a crude bass close to ' los ninos del parque ' by les liaisons dangereuses (ever used by carl craig on fragile). an appetizer before his upcoming album, scheduled to be released in 2005 by versatile records of course ! side b, two instrumental versions

a collectors vinyl edition from one of acid houses legends...strictly limited edition slamming acid album never before available on vinyl !!!

rong returns with more top gear for the late night disco dubsessions. here london's paul murphy (akwabba member) makes his mark with a chugging 115 bpm electro number, before handing things off for two killer remixes. ray mang amps up the dub factor, lays down a sick funk breakbeat and goes bananas with the steve miller synths

hard punches with dry, rattling beats and mean distorted torture chamber synth sounds. frankie revisites the track himself starting out with a nice shuffle before moving into some hyper-futuristic ska riddim with a quirky bizarre melody that sounds like a sped-up circus organ soundtrack to a slapstick silent movie.

song in mayleads in with clarks vocal and a deep funky bassline, before being joined by warm chords and crisp beats on this deep house gem, with both the main mix and instrumental takes sure to please. on the flip, kemit goes out in his kemistry guise, reworking the track with rearranged drum patterns, added layers of synths, and a great guitar hook.

next evidence keep it funky and hypnotic at the same time with this perfectly shaped disco-rocker that has a slight touch of afro rhythm magic, heavenly chorus and a haunting breakdown full of strings before taking a wild strut on the funk-side. bazar lean more towards 80 s euro-disco with this moroder style electro bassline,

opens with some great percussion and percolating synths before a big bassline comes into play and it's off to the big room for this dark tracky house gem as the bassline is joined by a gereat analog synth hook and some subtle filters. aka johnny fiasco

nice price

twenty years phonica rec